Comments on: Pre-Production-Pizza http://esotericsean.com/pre-production-pizza/ filmmaker, photo taker, salt shaker Tue, 13 Apr 2010 15:02:36 +0000 http://wordpress.org/?v=2.9.1 hourly 1 By: Sean http://esotericsean.com/pre-production-pizza/comment-page-1/#comment-1215 Sean Mon, 04 Jan 2010 01:43:44 +0000 http://esotericsean.com/?p=187#comment-1215 Hope to finish it this month! :) Hope to finish it this month! :)

]]> By: Eliza-Jane http://esotericsean.com/pre-production-pizza/comment-page-1/#comment-1207 Eliza-Jane Sun, 03 Jan 2010 07:49:42 +0000 http://esotericsean.com/?p=187#comment-1207 Wow, despite being just tests, that short is looking amazing! Wow, despite being just tests, that short is looking amazing!

]]> By: Shane Bugbee http://esotericsean.com/pre-production-pizza/comment-page-1/#comment-357 Shane Bugbee Fri, 14 Aug 2009 04:35:46 +0000 http://esotericsean.com/?p=187#comment-357 can't wait. also, loved revolutionary road, I'll have to watch again now that you've brought up one of the reason's I probably liked it so much without knowing. can’t wait.
also, loved revolutionary road, I’ll have to watch again now that you’ve brought up one of the reason’s I probably liked it so much without knowing.

]]> By: April Johnson http://esotericsean.com/pre-production-pizza/comment-page-1/#comment-320 April Johnson Tue, 11 Aug 2009 07:39:11 +0000 http://esotericsean.com/?p=187#comment-320 Revolutionary Road was a fine example of top notch acting, though hearing Leonardo DiCaprio shout "April!" 200 times became grating...lol End of empty comment. Revolutionary Road was a fine example of top notch acting, though hearing Leonardo DiCaprio shout “April!” 200 times became grating…lol End of empty comment.

]]> By: Peter Men http://esotericsean.com/pre-production-pizza/comment-page-1/#comment-315 Peter Men Mon, 10 Aug 2009 22:16:15 +0000 http://esotericsean.com/?p=187#comment-315 Even though I've admired Deakins since Fargo, some of the veteran cinematographers may consider his methods a little below master class standards. He relies on diffusion, a "workaround" that sidesteps precision shadow placement and direction of light. Mendes' other film, Road to Perdition, has absolutely perfect shadow placement and key lighting. But that was by Conrad Hall, an old master. In cinematographer years, Deakins is still a young man. For extreme subjective and objective, as well as his trademark diffusion, No Country for Old Men is a fine sample to rewatch. Even though I’ve admired Deakins since Fargo, some of the veteran cinematographers may consider his methods a little below master class standards. He relies on diffusion, a “workaround” that sidesteps precision shadow placement and direction of light. Mendes’ other film, Road to Perdition, has absolutely perfect shadow placement and key lighting. But that was by Conrad Hall, an old master. In cinematographer years, Deakins is still a young man.

For extreme subjective and objective, as well as his trademark diffusion, No Country for Old Men is a fine sample to rewatch.

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